“The Wire” Tour of Baltimore
I love TV’s The Wire. When I heard about this self-guided, Wire-themed tour of Baltimore, I thought, “That’s the self-guided tour of Baltimore I’ve been waiting for.” But I read something a few days later that paralyzed my ambitions. Christian Lander, author of the blog and book “Stuff White People Like,” explained in an interview:
When and how did you get the idea for the site?
January 18th. A friend and I were having an IM conversation about The Wire. He said, “Not enough white people watch The Wire.” I said, “Don’t worry, they do.” We started talking about what they’re doing instead of watching The Wire : therapy, getting divorced, going to plays…
Thus The Wire is not only Stuff White People Like but the inspiration for the whole series. Since I’m a white person, this discovery made me uneasy about my Wire tour, the way a Pakistani person must feel about a genuinely promising opportunity in the convenience store industry. And shortly thereafter, The Wire was parodied on Disney’s iCarly.
In the end, I just decided that Americans of all colors and creeds would love The Wire, if they saw it. The Wire transcends boundaries. Norman Rockwell has beaten me to the punch here with a painting I really think captures the sentiment:
In summary, don’t let your friends’ rolled eyes inhibit your pilgrimage to the greatest city in America to celebrate The Greatest TV Show in America.
I arrived in Baltimore at about 1PM with three friends in the car. From the Interstate, Baltimore looks like scattered red legos. It was my first time in Baltimore, and I have never seen more red brick buildings. We pulled off at the Martin Luther King, Jr. Blvd exit, which is a reliable exit to take for a tour of the ghetto in most American cities. Up close, Baltimore resembles both the Birmingham, Alabama where I grew up and the Pittsburgh where I live now. Baltimore has Birmingham’s African American majority, boarded-up buildings and ubiquitous vegetation. It has Pittsburgh’s pedestrian presence and row houses. I really liked seeing Baltimore’s famous benches.
The tour divides Baltimore into seven districts. We started out on the west side, thinking it would contain the most shooting locations. That was wrong. As the guide explains, “The directors found East Baltimore’s relatively treeless streets much easier to film in, as they could film throughout at least three of the seasons without losing seasonal continuity.”
It was most fascinating to circle the McCulloh Homes housing project, the location of the “low rises” that DeAngelo presides over in season one. We peered between two buildings from the car and discerned “The Pit,” where DeAngelo, Wallace, Poot and Bodie hung out. Housing projects were prevalent throughout West Baltimore, and they seemed very clean and new from outside. I hope someone can help me understand a question that occurred to me: “Why did cities build housing projects rather than supplementing the Section 8 program?” Questions like this one will ignite in your head throughout the tour.
Outside the McCulloh Homes, we passed several women and children picking through an overturned garbage dumpster. I stared, wondering if a kid had thrown away his retainer. In my retainer days, I picked through many a trash bin. A lady glared back and started waving her hands at me, pointing at the garbage angrily as if to say, “If you’re gonna stare, why don’t you come down here in this garbage?” She triggered a sobering transition—one second I related to the little kids; the next second I remembered my childhood had about 3% in common with theirs, and they probably do not see an orthodontist.
I realized then how strange our Wire tour must seem to locals: three white guys and one African African American girl (a 6’3”Nigerian), pointing at empty corners excitedly, cruising very slowly, snapping pictures. Unfortunately, I think there is no cure for your glaring touristness. You had better embrace it. The only thing worse than four suburbanites pointing at everything in the ghetto is four suburbanites acting like they belong in the ghetto. I wondered constantly whether the locals knew we were on a Wire tour…how often people came through taking pictures and talking loudly.
Then we headed to North Central Baltimore. Here we saw Bubble’s Garage, Bodie’s Corner, Greenmount Cemetary, and North Ave Motel and other attractions.
One difficulty of The Wire tour is that the sites are so mundane that it can be hard to tell if you’re on the right spot. As a matter of fact, here I am at a corner cattycorner to Bodie’s corner. I was so sure this was the right corner that I pointed out where the guy who shot Bodie was definitely hiding.
Above: the corner that Bodie would have ostensibly stared at
At the North Ave Motel, we pulled into a narrow parking lot, and I correctly identified the general area of the room where Omar shot brother Mouzone. As I posed for pictures, a bewildered guy on the upper balcony smoked two cigarettes while watching me. A woman dressed characteristically like a prostitute entered a room with a man.
There was a Mercedes Benz parked in front of Bubbles’ garage. This invited speculation.
Then we headed to East Baltimore, where the standout attractions were Marlo’s Hangout and Hamsterdam. The guide made a cautious suggestion: “Look immediately on the right for Marlo’s Hangout. Hop out of the car and into the square (Faith Ln) to take some pictures if you like, but bear in mind that this is a legitimately rough neighborhood.”
We parked and crossed a small patch of grass to access the concrete space where Marlo dispatched Chris and Snoop to dispatch people. The space’s former use is ambiguous. It looks like the ruins of a skate park/dolphin show. Across the street, a group of young men motioned for me to approach but I declined. This was the closest I came to the drug trade, and I’m only speculating.
There were no corner boys anywhere in Baltimore that Saturday afternoon. I would guess that the show exaggerated the daytime drug trade because it’s easier to film in the day. The light is cheaper. And you can’t film fictional drug dealers at times when real drug dealers need to use the very same corners.
As the day passed, we saw many other sites until wrapping up at the abandoned building that is Major Crimes HQ, located down by the port in southeast Baltimore. Every season of The Wire ends with a retrospective montage. In my own head, the projector played a retrospective montage of our day—shot on 8mm film, because that’s how people remember things. In the quiet peace of the empty port, we said goodbye to Major Crimes HQ and headed out.
Editor’s note: This post come from Lewis Lehe, maker of the famous congestion pricing video. If you’d like to take the same tour as he describes in this post, it is online here. Lewis will soon be heading to the University of Leeds for graduate studies in the economics of transportation. We wish him well!-KG