Scenes from the Wisconsin Protests

Madison-based photographer Dana O’Shea snapped these images of the protests in Wisconsin, and is allowing us to publish them with permission.
“In the last two weeks I have gone up to the Capitol three times because I feel like I just have to document this amazing moment in history,” O’Shea said. “What  has started here in Madison is spreading to Michigan, Indiana, New Jersey and other states.”

“The atmosphere at the Capitol is peaceful yet powerful. The union protesters and their supporters are singing and drumming and chanting. It sends chills up my spine to hear thousands, in unison chanting, ‘What does democracy look like…this is what democracy looks like.'”

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Documentary: Detroit through the Eyes of its Firefighters

Impressed by this video about firefighters in Detroit. There is a good discussion about arson, which is a huge problem in Detroit and also Youngstown.

BURN Trailer from Tremolo Productions on Vimeo.

A few words from the film’s creators:

BURN is a character-driven documentary about Detroit, told through the eyes of Detroiters who are on the front lines, trying to rescue and rebuild it. BURN will follow the firefighters, the men and women charged with the thankless task of saving a city that many have written off as dead. We’ll also look at the educators, the reformers, the activists, the enthusiasts — those who have the vision and the heart to bring a forgotten American dream back to Detroit.

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The Pros and Cons of “Triumph of the City”

Editor’s note: This book review was contributed by Rust Wire’s economics expert, Lewis Lehe. If you haven’t already done so, make sure you watch his hilarious and informative videos on congestion pricing. – KG

The last ten years have stoked a renaissance in the genre of “books that make social science research accesible to laypersons while additionally developing the author’s own theory.” The king of the genre is the journalist Malcolm Gladwell, who set airport bookstores ablaze with “The Tipping Point,” “Blink,” and “Outliers.”

Jonah Lehrer is a journalist who wrote “Proust Was a Neuroscientist” and “How We Decide.” Tom Vanderbilt is a journalist who wrote “Traffic.” People love these books. One of my ex-roommates has severe dyslexia and, last winter, he hadn’t read a book in five years. I gave him “Outliers,” and within a few months he had read everything Gladwell ever wrote. Now Victor is truly an outlier.

Unfortunately, the genre’s weak spot has been that all these books are written by journalists, rather than the equivocating career researchers behind the original findings. That’s why it’s refreshing to read a book like “Triumph of the City.” Ed Glaeser is a respected Harvard economist who rejuvenated the entire field of urban economics by doing lots of messy data collection and statistical analysis. “Triumph of the City” is a popular exposition of three of his primary findings and a few of his political opinions.

The findings are:
(1) Cities raise incomes because people are more productive when they interact face-to-face.
(2) Zoning, historic preservation, and pro-home-ownership policies engender sprawl.
(3) Urban dwellers emit less carbon.
The book’s policy prescriptions could be summarized by the following:
(1) Don’t do anything that might cause someone to move to Houston.

Pros:
Everyone should read this book, because it challenges conventional wisdom within the urbanist community. He argues powerfully that many activists’ attempts keep out evil developers just push development elsewhere or make cities more expensive. He’s critical of revitalization programs like light rail and convention centers. He’s critical of historic preservation. One of the most novel cases made is that northern California should allow vastly more sprawl, because Californians emit very little carbon into their perpetually temperate atmosphere.  A liberal Republican, Glaeser’s broader opinions figure frequently and honestly, and he has what I would call the “standard economist political belief”–free markets combined with generous social insurance (see Denmark, Australia, Singapore). If you are fundamentally suspicious of unplanned economic activity, then none of the arguments will move you.

I wouldn’t read the book solely for the arguments, however. “Triumph of the City” is also just a great repository of interesting little piece of stat-porn like:
–“If an area has January temperatures that are 5 degrees warmer, its prices go up by 3%”
–“In Los Angeles, construction costs are 25% higher than in Houston, but housing is over 350% more expensive”
–“More than 85% of people living in multifamily dwelling rent their living quarters. More than 85% of people in single-family detached dwellings own them.”

One of the book’s greatest strengths is the immense index at the end. I predict the books and articles there found will soon become heavily cited in college papers, simply because its hard to find such a great listing of so much research in one place. The index explains a lot of claims which, for brevity’s sake, come off as a little brash or far-fetched.

Cons:
The book has a few drawbacks: Glaeser sometimes vacillates on the scope of the word “city.” He compares the Houston metro to New York City proper too often, and he treats  Santa Clara County (Silicon Valley) as though it were a singular city. Glaeser also seems to really love Chicago for being pro-growth, but a recent census release showed its population declined over the past ten years. And Glaeser comes close to using Detroit as a synecdoche for the entire Rust Belt, which is a pete peeve of mine. Pittsburgh is 68% percent white, and a third of its adults have a bachelor’s degree. Detroit is 77% African American, and only 12% of its adults have bachelor’s degrees. Both places are solidly Rust Belt, yet their demographic differences mean each city faces entirely different day-to-day challenges, as readers of this web site know.

Finally, Glaeser ignores the influence of illicit Codeine cough syrup consumption, which, to me, is the most salient feature of life in Houston, aka “Syrup City”:

Conclusion:
The book will give you lots of food for thought on how you can save your city. But most importantly, you will walk away feeling that your city is worth saving…that there are pressing global issues we can only solve by clustering together amid sidewalks and bus routes…that we can and should  defeat the suburbs of Houston in pitched, hand-to-hand combat.

-Lewis Lehe

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Why I still like Lebron

It is with some trepidation that I am coming out of the closet as a Clevelander who still loves Lebron James. That’s right, I said it.

I didn’t always feel this way. I was a pretty big fan in his heyday here in Cleveland. I own his biography and a No. 23 jersey in red and gold. Even though I was upset when he left, I didn’t burn it. Now I’m glad.

I'm with the one in the headband.

It was hard, the way Lebron’s “Decision” put Cleveland under the always-harsh national spotlight. There was so much pride in hosting a superstar for a city that’s athletic legacy reads like a Greek tragedy.

For so many people nationally it was a foregone conclusion that he would leave. But Clevelanders were optimistic. You have to be optimistic in Cleveland; people here talk about how nice the weather is when it gets in the high 20s.

Beaten-down Cleveland seemed destined for a savior like Lebron, born just a stone’s throw away in Akron. It was a serendipitous twist of fate that brought him to the Cavs. And there were a few times during his career here when it really looked like they were going to win it.

When the team was out there having fun, they were so fun to watch. Especially him. He scored 30 points or more nearly every game, it seemed. It was amazing the way he could just turn it on at a critical moment. There were a lot of squeakers, and Lebron was the decider. He would decide that the team would not lose and that would be it.

I had the opportunity to watch of few of these games at the Q and it was pretty incredible. So were the streets of downtown after one of those games. The whole city seemed to be drunk on hope while simultaneously actually being drunk. That’s pretty hard to beat.

I knew he would leave after that series with the Celtics. He seemed to have just given up midway through. I told my 12 Twitter followers that he was dead to me. I really felt betrayed.

I didn’t even watch The Decision. I couldn’t understand why so many Clevelanders insisted on watching it, when it was pretty clear what would happen. I was defensive when the national press criticized Cleveland’s reaction; sports is serious business here.

Somewhere between now and then though, Lebron has won me back. My dad always told me what was so impressive about Lebron James was his maturity. To come to fame so young and not to lose his head and blow it, that was perhaps more impressive than his awe-inspiring basketball abilities.

I know a lot of people would say the whole Decision announcement was pretty regrettable. And I guess I don’t disagree. That’s pretty clear now.

But through all the backlash, some of it very personal and unfair, he has continued to show tremendous personal strength. He clearly outclassed Dan Gilbert in the whole crazy-letter controversy. Then he came back to Cleveland, over the hissing and the booing, and acted like a true professional, scoring half-a-million points, or whatever it was.

Through all the hatred and vitriol, he has really kept his cool. Only once or twice did he protest, pointing out that there may have been a racial aspect to the extreme contempt some people displayed for a sports figure who had the audacity to change teams.

It’s hard to say why we all get so wrapped up in these athletic competitions. But I think we admire sports heroes like Lebron – and Lebron is a sports hero of the rarest order – because they demonstrate for us the amazing power of the human spirit. You could see that just oozing out of Lebron when he played and that’s why he was so fun to watch. He was indomitable.

I am pretty sure I will continue be a fan of him as a person and an athlete wherever he plays. Why not? I’m pretty sure it will be more fun for me than sulking.

We’ve always had kind of a one-sided relationship: I’m a stranger to him but he has made me happy. Who in Cleveland can’t say that about him? While he has disappointed me as well, he never owed me anything in the first place.

-A.S.

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Tackling The Pruitt-Igoe Myth

Editor’s note: Our faithful readers will note we recently featured a short post with a trailer and some information about a new documentary, The Pruitt-Igoe Myth, which deals with an infamous public housing complex in St. Louis, built in the 1950s and torn down in 1972.

The film’s director, Chad Freidrichs, recently spoke with Rust Wire about this myth and the film it inspired.

Watch the trailer for the movie here. Check out its Flickr page, with great historical photos here. Read more about the complex and its history here.

And St. Louis residents: the movie will be shown April 9 at the Missouri History Museum. -KG


RW: “When you say, ‘The Pruitt-Igoe Myth,’ what is the myth you are referring to?”

CF: “Let me start at the beginning here. One of the things we’re addressing with the film is the way that I approached the film from the very beginning, which was from an architectural point of view. That’s how many people discover Pruitt-Igoe. Most people are likely to hear Pruitt-Igoe in the same sentence as ‘the failure of modernist architecture.’ When we are discussing the Pruit-Igoe Myth, what we’re referring to is the idea –number one-  that the architecture was to blame for what happened at Pruitt-Igoe, or that –there’s several here- or that the federal government was to blame, because this was a federal project, therefor Pruitt-Igoe declined so precipitously, or that it’s the residents. You often hear this in conversation, that the residents simply tore up something that was gifted to them back in the 50s, and 20 years later, because the resident population, because they were poor, because they were rural, or whatever, they didn’t know how to maintain this building. So that’s really kind of the myth that we’re addressing here. Now, this is based on an article by Katharine Bristol called, ‘The Pruitt-Igoe Myth.’ This is really the foundational text when I was researching the subject, this particular article is something that I really admired, just the context that she put it in as well as critiquing the architectural argument….Her basic point was that Pruitt-Igoe is often thought of as having won an award. You’ll always see ‘award-winning Pruitt-Igoe’ and she pointed out rightly that Pruitt-Igoe never won an award, it was actually Cochran Gardens, Pruitt-Igoe’s cousin in St. Louis that won (architect Minoru) Yamasaki the award. She uses this as an endpoint to analyze why it was that that myth has persisted….She senses this historical irony in it, the idea that these buildings were meant to solve social problems, and they ultimately ended up making it worse, there is a saliency in her opinion to that historical irony…We are combating that simplified notion that architecture or the fact that something is a federal program can create those conditions.”

RW: “What inspired you to make the movie? This article or was there something else? Were you familiar with this complex from growing up around St. Louis?”

CF: “Actually, ironically, having grown up on the outskirts of St. Louis, I had never heard of Pruitt-Igoe, it was from a different generation. It is still discussed in the city, but I don’t think it is discussed amongst people who are younger. And so I came at it from an architectural standpoint. We had just bought a house- an old, 1950’s ranch and we were fixing it up 1950s style and I was really getting into mid-century design. I was listening to an audio lecture on architecture and the history of the city, and the professor was talking about this massive project, Pruitt-Igoe, that was supposed to alleviate social problems and alleviate slum conditions in the inner city in the post-war years, and I just thought it was absolutely fascinating.Especially put in the context of its supposed failures. That was a really interesting idea-  that architecture could make people’s lives better or worse, depending on how it was built. The built environment, kind of controls behavior in that sense. And so that’s what really got me into it. And for the first several months of the project, I approached it from that angle.”

RW: “When people see this movie, what do you want them to take away? What should they remember after they watch it?”

CF: “It’s a big, complex movie, and it’s done so by design….If there was one lesson I would want people to take away, it is that the history of the American city is a big, complex thing. And when you are talking about a project like Pruitt-Igoe, you have to put it in that broad context. You can’t just analyze social phenomena like Pruitt-Igoe in a vacuum. One thing that I always like to point out to people, is that if you were to go across the street from Pruitt-Igoe in like 1960 or 1970, to go across Jefferson Avenue, you would have seen extraordinarily similar conditions, not in terms of the built environment, but in terms of the vandalism, in terms of the maintenance issues, in some cases the crime was even higher across the street, and all these things that were tacked on to Pruitt-Igoe as rallying points against it were very much part of the surrounding neighborhood. And the tendency is to want to take Pruitt-Igoe out of that environment, and to just analyze it as this thing that is separate from the city. But the same kind of issues that were prevalent in Pruitt-Igoe, some of these negatives, were certainly part of all American cities, all around the country. To take Pruitt-Igoe out of that context, I think is a mistake, an oversimplification.”

RW: “I don’t want to give anything away from the film, but can you tell us what is on that site where that complex used to stand? What’s there now? ”

CF: “If you were to drive down Jefferson Avenue right now…you would have this kind of urban, textured landscape, then all of a sudden, out of nowhere, you would just see like probably, four or five blocks of just trees…. Just, 30, 40-year old trees, like a park. And that’s the bulk of the Pruitt-Igoe site today, just an overgrown, vacant, lot. Full of trash. But almost like a little nature reserve, with areas of high terrain and low terrain where the buildings used to be where there were piles of rock. Now those have been grown over. There is a natural contour to the land now.  It’s a pretty interesting site. There are YouTube videos on the site where people have toured around. And on the southwest side, they have built an elementary school.”

RW: “Why hasn’t it been redeveloped?”

CF: “That’s a really good question… All around the Pruitt-Igoe site, there has been pretty extensive development over the last 20 years. It is been pretty built up. There aren’t too many vacant lots there, whereas in the day of Pruitt-Igoe, it was kind of a gap-toothed landscape. But there has been a fair amount of development around the project. One argument as to why there hasn’t been any development on the site it itself, I’ve heard – although I’ve also seen it disconfirmed– the idea that the foundations would be too expensive to excavate. To be honest with you, I’m not really sure. It’s a big chunk of land and it probably has to be purchased in one piece. There have been discussions of building a golf course on it, a fishing lake, turning it into a light industrial area over the years, but none of those have ever come to fruition. There are new plans circulating all the time. There is a massive plan going around right now for redevelopment of the entire North Side of St. Louis and Pruitt Igoe is playing a large role in that and we’ll see what happens.”

RW: “Do you have plans to show this movie in other cities?”

CF: “Absolutely. A lot depends on the film festivals…We’re also going to contact universities around the country for educational distribution…There are so many cities across America that went through something like this. People, when they heard about this, they think it is a story about St. Louis. And it is, it definitely is…St. Louis though, was kind of ahead of the curve in the post-war decline that affected many cities severely a little bit later than St. Louis. So, really our story is about the changes that took place in most American cities in the post-war years, and so I think people around the country will be able to see a lot of their own city in St. Louis’ story.”

-KG

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What Our Words say about Cleveland

Discourse can explain a lot. It hints at the state of things. It hints at our needs. What’s more, discourse can prove self-fulfilling as the social conditions influence what’s being written or said whereas what’s being heard or read can influence the conditions.

What follows is a quick and dirty exercise examining the discourse in Cleveland via the Cleveland Plain Dealer.  Specifically, a word cloud was developed on all local stories appearing in the February 9th, 11th, and 13th editions.  Examining the reaction to this “official” discourse, a word cloud was also developed for reader comments for each of the aforementioned stories.

First, the word cloud based on stories and editorials.  Naturally, the word “Cleveland” is huge, and this is no surprise since Cleveland is the entity under discussion. And what’s coming out of the mouthpiece of Cleveland’s mouth? Well, there’s “schools” in bullying letters, and this— combined with the prominence of “students”, “education”, and “college”—tells us what we already know: the Cleveland Public School System is sick and needs mass attention.  And though it’s in the air—at least for this week—it periodically has been for decades, only to be blown off the front pages by whatever message is more fun than literacy proficiency…

Enter “New”: it’s big, hopeful, and promising. And it shows there’s either a belief in a Cleveland future emerging through the past—or a belief in a Cleveland future through the simple act of repeating it.  For example, “Casino”, “building”, “downtown”, and “traffic”: is this the lexicon of the regurgitated silver bullet to city-remaking?  Time will tell, but the Big Thing theory is certainly getting its play.  But so is some verbiage that can be equated to the pillars of city-making. There is the built capital that is “park”. There’s the variation of that physical embodiment of our need to feel secure: “home” and “house”.  There’s “people”.  And though less pronounced but still entering the conversation are the terms “bridge”, “rail”, “skatepark”, “recreation”, and (um) “think”.

And as for sheer density of negative or positive connotation, below is a list of each, as is the elephant in the room award winner.

  • Negative: “jail”, “take”, and “never”
  • Positive: “like”, “good”, “asked”, “right”, “support”, and “help”.
  • The elephant in the room award winner (going to the term that is fairly prominent in cloud-size [because it has to be] but not prominent enough [because it can’t be]): “Race”.

Moving on to the reader comments’ word cloud. Wow, check out the size “people”.  It is actually larger than “Cleveland” which can either suggest a broader identification with humanity than place, or rather a de-identification with place due to a preponderance of trolls ripping Cleveland apart (e.g., [actual comment], “Why don’t they just build a wall around this county and let the honest people leave”).  Note:  After further review I’m happy to report out that the verbiage is used more humanistically than you’d imagine (e.g., [actual comment], “I think we need to be grateful that there are people choosing to do it right which costs time and money”).

Squeezing the human angle further, check out the play of these action words that imply an almost visceral degree of urgency, especially when compared to the newspaper speak: “get”, “go”, “make”, and “want”.  I think it’s fair to say the folks in Cleveland are burning for change, and that they get excited for it—urgent about it—but that the carry-through is lacking, as there is no doubt a mistrust toward the “city”, “county”, and “system” that any “problem” related to “money”, “schools”, “education”, and “business” will be made “right” in due “time”.

And so the pot marks of failure are being poked into the canvas of our civic discussion. The negative connotations including: “problem”, “bad”, “wrong”, “poor”, “crime”, “guilty”, and “without”.  And of course that elephant in the room award winner: “death”, which sits stubbornly in the distance between “look” and “think”.

But of course there’s got to be hope, and you can see it in the tiny terms bubbling up like deep stars. The tiny terms like “love” and “just”—“live” and “life”—“choice” and “able”—“give” and “innocent”.  These of course are the pillars of people.  And as is evidenced by the cloud, it is “people” that cast the greatest shadow in the words that a city will speak.

–By Richey Piiparinen

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Rust Wire on the Radio

Rust Wire co-founder Angie Schmitt (me!) recently had a chance to appear on a Cleveland radio show to discuss (what else?) sprawl.

The program was about Cleveland’s Regional Prosperity Initiative, an initiative of local foundations that seeks to help the region work better collaboratively to lower taxes and improve the economy.

I thought some of you might be interested. There’s a little lead-in with a psychologist, but the conversation gets going about a third of the way in.

http://bit.ly/g0sW3G

(You have to click on the headline and follow the jump to access the hyperlink)

I sound pretty rational, huh? Thanks for that, Civic Commons.

I was kinda disappointed that the announcers were disappointed that we all agreed that we should take steps to address the municipal balkanization and wasteful development practices that have been killing our region. Although, it would have been fun to argue with someone who wanted to take that position, I suppose.😉

-AS

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